ZT Tosha

Title: Encasement (Double Ring)

Material: Jute rope encased in rubber

Dimensions:
52 × 90 × 25 cm

Year: 2026

Encasement (Double Ring) presents two concentric loops of jute rope sealed within a continuous rubber skin. The work stages a quiet contradiction between softness and control: a pliant, fibrous core immobilized by an industrial exterior. The circles do not touch, yet their proximity establishes a taut relational field, a geometry held together by distance rather than contact.

The use of rubber functions less as surface than as condition. It arrests fraying, suspends entropy, and fixes the rope in a state of permanent readiness. What would normally flex, knot, or yield is instead compelled into perfect recurrence. The circles read simultaneously as units and as a system, neither progressing nor collapsing, but maintaining equilibrium through repetition.

Installed flat against the wall, the work resists illusionism and depth, offering instead a measured insistence on containment. The piece does not propose movement, narrative, or resolution. It holds.


The Assembler, Disassembled: The Unedited Sessions of Andreas 

Product Details:

  • ISBN-13: 9798218889876
    Publisher: Pencilbrains, LLC.
    Publication date: 01/20/2026
    Series: A Companion to the Invention of Androf Andreas
    Edition description: Archival ed.
    Pages: 212
    Product dimensions: 6.00(w) x 9.00(h) x 0.48(d)

” The Assembler, Disassembled: The Unedited Sessions of Andreas” by author ZT Tosha, a work exploring systemic breakdown, meaninglessness, and the mechanics of belief through austere, observational prose, often compared to Beckett or Sebald, documenting processes rather than personal journeys. 

Key Points:
  • Author: Zt Tosha.
  • Title: The Assembler, Disassembled: The Unedited Sessions of Andreas (or similar variations).
  • Genre/Style: Conceptual, avant-garde; focuses on systematic failure, administrative processes, and the reduction of meaning to procedure, with no traditional narrative resolution.
  • Themes: Existential breakdown, infrastructure of self, collapse of belief systems.
  • Content: Uses machinery and systems as metaphors for existence, documenting a process of dismantling meanin