ZT Tosha
Selected Artworks
Sculpture · Mixed Media · Painting · Installation · 2023–2026
001
Christ
Materials · Jute rope (25m), iron oxide pigment
Dimensions · 40.2 × 40.8 × 57 cm
Format · Glass vitrine
Year · 2023
The act of placing raw, unprocessed jute within a pristine vitrine — a form evocative of a reliquary — dissolves the boundary between the devotional and the everyday. The rope’s coiled geometry is a spiritual spiral, mapping humanity’s contemplative ascent.
002
Encasement (Double Ring)
Materials · Jute rope encased in rubber
Dimensions · 52 × 90 × 25 cm
Year · 2026
Two concentric loops of jute rope sealed within a continuous rubber skin. The work stages a quiet contradiction between softness and control: a pliant, fibrous core immobilized by an industrial exterior. The circles do not touch, yet their proximity establishes a taut relational field.
003
Divine Alchemy of Surreal Realms
Materials · Mixed media: gouache, watercolors, charcoal drawing on Fine Art Print on Hahnemühle Photo Rag Baryta
Dimensions · Motif dimensions: 142.2 by 80 centimeters (Exterior dimensions: 144.2 by 82 centimeters) cm
Year · 2021
Towards a Sacred Surrealism ZT Tosha’s works resist easy categorization. They exist at the intersection of material mysticism and digital ritual—each one a miniature altar of fragmentation and recomposition. The Divine Alchemy of Surreal Realms (2021) is emblematic: surreal not in the dreamlike sense, but in the spiritual—the real beyond the real. Surrealism here is not an escape from reality, but a deep dive into its hidden frequency.
004
Assembler No. VI — Pale Tectonics
Materials · White fabric elastic textile, internal structural frame, compressed fiber filling, industrial tension system · Dimensions · 100 × 160 × 100 cmcm Year · 2025
In Assembler No. VI — Pale Tectonics, ZT Tosha extends the structural logic of The Assembler, Disassembled into a markedly lighter register without relinquishing the series’ governing concern: containment as an active force. If earlier works in the cycle were defined by compression and sealed opacity, this sculpture introduces vertical articulation and chromatic restraint as a new phase of inquiry. .
005
Assembler No. II — Bound Mass
Materials · Stretch fabric (dark wool / elastic textile), internal structural frame, compressed fiber filling, industrial tension system. Dimensions · 120 × 160 × 120 cm cm Year · 2025
Eighteen wooden panels coated in thick, viscous black — their collective field interrupted only by a single folded cloth and the glimmer of texture beneath the darkness. A meditation on the material weight of silence. What appears as minimalism soon reveals something denser.
006
Lapis Lazuli, 2026
Materials · oil paint and oigment on canvas Dimensions · 80 × 120 × 4 cm Year · 2025
apis Lazuli (2026) is a defining work from ZT Tosha’s Assembler, Disassembled cycle, translating the artist’s sculptural investigation of bound mass into a concentrated chromatic presence. A luminous ultramarine form, derived from pigment historically associated with lapis lazuli, emerges from a darkened ground, conveying tension, containment, and internal force. Through its material intensity and structural clarity, the work positions painting as a vessel of compressed energy rather than representation.
007
Fading Glory/IMG 6235
Materials · Mixed media — Mixed media oil and acrylic paint on canvas Dimensions · 120 × 80 cm Year · 2019
A striking work that bridges centuries of artistic tradition, drawing inspiration from the meticulous realism of Jan van Eyck and the radical abstraction of Kazimir Malevich. A visual and philosophical dialogue between the Renaissance and the early 20th-century avant-garde.
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