In his studio, artist ZT Tosha (Zoran Tosic – Tosha) has created a series of ten enigmatic sculptures that act as physical mirrors to his book The Assembler, Disassembled: The Unedited Sessions of Andreas. These works are not merely objects; they are what the artist calls “therapy sessions”—tangible records of a human identity being systematically taken apart.

The Materials: A Bridge Between the Primal and the Modern

Synthetic Shell

The outer fabric—a custom blend of 57% polyester, 31% cotton, and 12% elastane—is manufactured to the artist's specifications in China. This tight, elastic “second skin” represents the modern social persona: flexible, resilient, yet under immense pressure to hold everything together.

Primal Core

Inside these sleek forms lies a chaotic, "Beuysian" interior filled with:

• Wool & Hair: Insulators of biological energy and memory.
• Feathers: Fragility of spirit, representing thoughts during psychological crisis.

Collector’s Acquisition Text — Assembler No. I — Bound Mass

Assembler No. I — Bound Mass is the inaugural sculptural work in ZT Tosha’s series The Assembler, Disassembled, marking a major evolution in his exploration of structure, tension, and the mechanics of formation.

Compressed wool and feathers are contained within a stretched membrane, creating a paradox: materials traditionally associated with warmth and protection are subjected to pressure and restraint. The central binding functions as both structural anchor and conceptual axis — a point where cohesion and rupture coexist.

The sculpture balances monumentality with material softness. Its symmetry suggests order, while the tension at its core implies latent instability. This duality gives the piece a powerful spatial presence, making it compelling for institutional collections and discerning private collectors.

As the first work in the series, it establishes the formal and conceptual foundation for subsequent pieces. Assembly is never neutral — it is an act of compression, negotiation, and controlled fracture.

Price Positioning Strategy

• Installation Scale (120 × 180 × 120 cm): €28,000 – €35,000
• Gallery Scale (90 × 140 × 90 cm): €18,000 – €24,000

Strategic Considerations:

• Early acquisition ensures strong long-term value
• Future works increase progressively (10–20% increments)
• Institutional placement elevates series-wide valuation
• Limited production (3–5 major works/year) preserves scarcity and market stability
• Maintains long-term collector and museum interest

Collector’s Acquisition Text — Assembler No. II — Bound Mass

Assembler No. II — Bound Mass compresses softness into structure. Three wool-like forms press into one another, gathered by a central knot of tension. The work explores inheritance and containment — unity held together not by harmony, but by pressure.

Details

• Series: The Assembler, Disassembled
• Dimensions (Installation Scale): 180 × 240 × 180 cm
• Dimensions (Gallery Scale): 120 × 160 × 120 cm (variable)
• Materials: Stretch fabric (dark wool / elastic textile), internal structural frame, compressed fiber filling, industrial tension system

Museum Description

Assembler No. II — Bound Mass continues the investigation of containment, compression, and silent tension. Three monumental spherical forms press into one another, surfaces pulled inward by a central knot of force. Material behaves like skin under pressure — stretched, restrained, gathered — revealing vulnerability beneath apparent mass.

Softness is held in tension; warmth constrained. Domestic material is transformed into sculptural gravity. There is a quiet paternal presence — protection, burden, containment — forms leaning into each other as if carrying inherited weight. The sculpture occupies a liminal space between fullness and collapse, on the verge of release yet refusing to break.

Conceptual Direction

The series The Assembler, Disassembled explores the paradox of unity and fragmentation. Each work examines how forms come together only to reveal the forces that hold them—or threaten to undo them. Mass becomes emotional architecture: bound, inherited, structured by invisible tension.

Price Positioning Strategy Statement

• Gallery Scale: €28,000 – €38,000
• Installation Scale: €55,000 – €75,000

Strategy emphasizes scale, uniqueness, conceptual significance, and institutional trajectory. Future works increase in price post-exhibition or acquisition. Scarcity and scale are key value drivers.

Curatorial Paragraph (Art Basel / Institutional Submission)

In Assembler No. II — Bound Mass, Tosha examines assembly not as construction but as compression. Three monumental, wool-like volumes converge into a tense equilibrium, surfaces gathered toward a central knot — a locus of force that binds and destabilizes. Textile becomes skin, mass becomes psychological structure. Referencing pastoral materiality while resisting nostalgia, Tosha interrogates inheritance, paternal weight, and silent pressures shaping collective identity. The sculpture occupies a liminal state between cohesion and collapse, showing that unity is sustained through tension. Physical gravity and restrained theatricality position material as emotional infrastructure — assembled under pressure, always on the threshold of disassembly.

For Collectors, Museums, and Galleries: These sculptures are monumental, conceptually rigorous works suitable for institutional collections, sculpture gardens, and major private holdings seeking pieces of profound material and intellectual depth.